Alan Dews wrote:
Unfortunately, if you allow the sound to be drawn in the timeline track while being able to add further actions to the same track before the sound has completed, you would get the sound drawing over the top of the new action - very messy, and would probably break the selection.
Until I saw Duncan talk about this above, I would never even have dreamt of putting actions I was trying to synchronise on the same actual track as an audio clip ...as Linda alluded to above (see I can use big words too!
) in video editing/compositing software you pretty much always put events on different tracks of the timeline, and anything that is time-based displays for the time it will show. I would have thought the Opus timeline would be much more intuitive to more people if it followed these well-worn conventions rather than trying to plough a new furrow and then need help files, support calls, etc., to explain?
Linda and I are both very familiar with timeline-based software, yet we both obviously completely misunderstood how the Opus timeline actually works. So either we are both stupid (quite possible in my case), or the Opus timeline feature is not intuitive enough.
Rob
www.visibleform.co.uk